On warm off-white paper, a single circle of black ink, painted in two brushstrokes like a Japanese ensō, left open at the top left and the bottom right. Where the strokes end, the letters sit in the gaps: on the left a loose, hand-brushed A, on the right a clean serif I. Beside the circle, in a classic serif, Accessibility International, on two lines.

The hand-drawn A and the typeset I are the human stroke meeting the engineered one. The gaps in the circle are deliberate: wholeness that does not need perfection.